Chair
number four was made for one of the sisters who grew up in this house,
and after it was shipped, (to New York), the sister in Tripp has
ordered one for herself, and four small benches for her children. ( It's really chair number 5; chair number four sits in the shop yet incomplete. The holes for the rear legs were bored too far forward and until I glued on the 'Flash Gordon' spurs, it tipped rearward at the slightest provocation.)
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Right side
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This chair, though not apparent from the photos, is a bit lower to the ground than the previous, and the comb is 2 inches lower. Its owner is 5'4", and it was made to fit. We think the seat is stunning. Quarter sawn elm in its striped and bees-wing figured splendor! I seem to have solved almost all the fitting difficulties; there is no tear out at the spindle holes, and no forcing of spindles was required to meet up with the holes. The seat was adzed and scorped from one piece of quarter sawn elm, a blank 24 inches wide and 40 inches long. (Hello Harry in England; I have a few more. I'd send you one gratis, but the shipping would probably sink you. Sorry.)
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The seat
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Seven spindles. Legs a bit more upright than the others, but well balanced in relation to one another. I like odd numbers for spindles, five or seven.
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The front
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Two coats of amber shellac before the spar varnish blend. Western wheat grass. This chair is
easily the best made so far, and will be the standard to which I work
from here on.
Quoting myself from April, "The first seat was almost finished today...". Hmm, almost is a long time. Here is the first Chair, fitted out with chair seat number two. Five spindles, elm legs and several coats of amber shellac preceding the traditional American finish of spar varnish, turpentine and linseed oil. The mistakes cannot be seen; though I will point out the two outside spindles. The flare out only by accident, though we like the effect. The top piece, the comb comes from one piece, resawn, glued together and shaped with spokeshave and draw knife. The curved arm is one piece of steam bent elm. They are very, very comfortable.
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Chair the 1st
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Chair #1
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The same chair from the left side. The curve at the back of the seat is the section of a circle. The five short spindles are 5/8" in diameter, and the arm is 10.25 inches above the seat. The long spindles taper from 5/8" in the seat to 1/2" in the comb. The various flaws and difficulties in the bent arm do no show in this photo. We are very happy with the flare of the legs. Like the stools, the seat is 18-18 1/2 inches above the ground/floor. And like the stools, the seats are undercut at 15 degrees to create a thinner appearance. The front of the seat is 1 1/2" higher than the rear. This tilt, and the shaping of the elm seat account for the great ease sitting in these chairs. (Thank you Welshman John Brown, Requiescat in pace.)
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Chair the 2nd
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The first seat made lives on the second chair. Many changes, seven spindles, and the legs angled slightly differently . Though elm does not split, during steam bending it tend to separate at the tiniest pin knots. We lost four of six on the first attempt. (I will have steam box photos eventually, in the next six months or so...heh.) Consequently, I have been making the arm from three pieces of steam bent elm, 1 1/4" x 7/16" x 54". All three pieces are bent on the form simultaneously and later glued up with Titebond II. Many problems are thus solved with this technique, and the appearance is quite good. (The lamination is not apparent to the unschooled eye.) The top comb is made the same way; here with three pieces of 5/16" x 4" x 18". (I start with 24" lengths for the comb and cut the excess after steam bending. It is very difficult to bend several short, wide pieces. Mostly the combs come from the quarter-sawn elm. See the photos from April 23, with the house in the background. Those clean edges are the quarter-sawn stuff.)
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Chair the 2nd
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There is a bit less direct light in this photo; the true color is above. Again some amber shellac has been applied before the spar varnish blend. Here there are seven long spindles, on 2 inch centers, so wider apart than Chair the 1st. And with no shot of the seat, the beautiful pattern therein cannot be seen, sorry. However, the troubles I had with aligning the holes cannot be seen either. (There are some 14 oops plugs on this one. Curiously enough, the unschooled eyes don't notice them either.)
Chair #3 has eight spindles, and ash legs. (Ash in this part of the world is Pennsylvania green ash, and not northern white ash. It has brown heartwood, subject to rot. After Siberian elm, the green ash is the next most populous tree in the windbreaks, followed by cedar, and honey locust and lots of lilac.) We hope to make ash seats someday. There is not shellac on this chair, just the elm's natural color. We think it's like pale dry autumn grasses. With shellac, the color resembles the state grass or South Dakota, Pascopyrum smithii ,western wheat grass.
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#3
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The front view shows the eight long spindles a bit more clearly. And yes, there is a bit of twist on the arm, right side if sitting down, left side as seen here. The problem has been solved in the next chair with better clamping technique. Steam bent and laminated arm and comb again.
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#3
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These photos were taken in May, (note the lovely wildflowers.) As is apparent from the circular end grain, this piece of elm was cut from a log with a large limb at one end.
End grain is, of course, subject to splitting as it dries, elm not withstanding. In this case the splitting is minimal. The swirls and figure of end grain are quite beautiful. (The mate to this bench lives in the house with us.) The standard height for these benches is 18 inches. Widths 12-13 inches, lengths 18-20. The size depends on the slab. They can also be used as small side tables.
This angle shows off the grain to more advantage. Elm all the way, top and legs. On this one, the four corners are cut off at 45 degrees. Others are made with two corners on one side cut at 45 degrees, and two cut at about 20 degrees. Actual thickness is 2 inches, but I've undercut all four edges at 15 degree before cutting off the corners. The top looks thinner and less heavy. (We want sturdy, but not clunky. Note the actual thickness above the left front leg.)
Here is an earlier, different footstool, of pine with wedged, ash legs. It is smaller, only 12 inches by 15, and some 12 inches high. (The pine came from the most well built out-house any of us may ever see.) The walls of the pit were lined with pine. The structure was fir 2x4's, with tongue & groove pine inside, redwood siding outside. The ventilation was enclosed below the concrete pad and screened. Concrete pedastals supported two very well made wooden seats and covers, at two different heights. There are no photos; too bad. All that remains is the concrete. By the time we arrived much was rotting away. A lot of the redwood was salvageable, and the very little good pine became this style of foot stool. A couple of weeks after we we moved into this house in October of 2013 a woman who still lives in Tripp knocked at the door. "Hello. I grew up in this house, can I come look around?" In September of this year she and several sisters and children all visited the house on the occasion of their family reunion. As for the 25 years preceding our arrival the two acres was mostly mulched with 38 Chryslers and Dodges we've been told many times how happy they, and many townspeople are that we've moved in. It was, I believe one of them told us the outhouse had been built by the WPA.
Here the sliding
dovetails can be seen. The cleat is not glued in place, only fitted
snugly in the female dovetail cut in the seat bottom. (Yes, the cleat
is some 1/8" shorter on both sides than the width of the top; it makes a
pleasant detail.) This particular stool was donated to the American Legion Ladies auxiliary of Post
142, Jelkin-Harms, Tripp. They raffled it off during the October
Ladies' auxiliary bingo. ( Jelkin is Wilbur Jelkin, killed in WWI.
Harms is brothers Donald and Fred Harms, both killed in WWII. Requiescat in pace.)
The foot stool below preceded the one above. (Note the crack in the end, and the somewhat dirty appearance of the pine.) The legs are set in from the ends more than I prefer, and too vertical for my liking. Ash legs again, wedged with some Ziricote or maybe Cocobolo, both native to South Dakota...not really.
The dovetail cleat is thicker than the top, and is therefore out of proportion. And the ends are not set in as above. Though they are at a very good height for removing or putting on shoes.
Moving
further back in time we see this footstool, made from stock ripped off a
small log with a chainsaw. (Before the arrival of the Amish horses.) It's clunky, and has filler from epoxy and elm dust in the splits, and is a favorite. The colors really are true to life; the edges are as golden orange as seen here, and the ash legs as white. It is made of four pieces glued up and shaped. It's very comfortable to sit on. (Do you milk goats?) It is some 11 inches high and about 10 inches by 16.
The light lines are sapwood.